The Double Bass and his melodic-harmonic approach to the traditional Ecuadorian Pasillo
El Contrabajo, su aporte melódico y armónico al Pasillo tradicional ecuatoriano
Abstract
This article exposes a study of cases related with the double-bass as main figure in the traditional Ecuadorian rhythm known as “Pasillo”. It shows common harmonic and melodic points, all of them related to the double-bass in several well-known and selected Pasillos, with the purpose get the knowledge regarding his typical structure and performance guide to play it, the Ecuadorian pasillo, coherently. This article is pointed to professional musician with interest in the Ecuadorian “Pasillo” his structure and features. Thus, they could add it to their own repertoire.
KEYWORDS: Double-bass; Ecuadorian Pasillo; Ecuadorian music; Pasillo´s accompaniment.
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Citado en Martín Fernández, Á. P. (2017). A Praga desde la Mitad del Mundo. Libros.com.
Granda, W. (Enero- 2004). El pasillo ecuatoriano: noción de identidad sonora. Íconos, Revistade Ciencias Sociales No. 18, 63-70.
Ecuador, P. d. (2018). El Museo del Pasillo. Obtenido de El Museo del Pasillo: https://www.museodelpasillo.ec/
Pasillo, M. d. (2018). Nicasio Safadi. Obtenido de Nicasio Safadi: https://www.museodelpasillo.ec/safadi-reves-nicasio-espiridion2/
Ecuador, M. d.-P. (2018). Espín Yepez. Obtenido de Espín Yepez - biografía - canciones: https://www.museodelpasillo.ec/espin-yepez-enrique-gustavo/
Velasco, P. (s.f.). Tabla de diferencias entre pasillo costeño y serrano. Paul Velasco, Guayaquil.
Finson, J. W. (1976). The Violone in Bach's Brandenburg Concerti. The Galpin Society Journal, 106-110.
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Copyright (c) 2021 Paul Adriano Velasco Gonzales, Yessenia Mendieta Torres
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